Toutes peintures ā l'huile d'Joseph Mallord William Turner


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ID Image Painting(From A to Z)    Details 
52521  
Joseph Mallord William Turner, )Peace - Burial at Sea
 
 )Peace - Burial at Sea   1842 Oil on canvas, 87 x 86,5 cm
24461  
Joseph Mallord William Turner, A coast scene with fisherman hauling a boat ashore (mk31)
 
 A coast scene with fisherman hauling a boat ashore (mk31)   1803-1804 Oil on canvas 91.4x122cm The Iveagh Bequest,Kenwood.London
24464  
Joseph Mallord William Turner, A country blacksmith disputing upon the price of iron,and the price charged to the butcher for shoeing his pony (mk310
 
 A country blacksmith disputing upon the price of iron,and the price charged to the butcher for shoeing his pony (mk310   Oil on fir-plank 55x78cm
55101  
Joseph Mallord William Turner, A little suprise
 
 A little suprise   mk239 1913 Oil on canvas 109.8x119.7cm
55157  
Joseph Mallord William Turner, A spot
 
 A spot   mk239 1925 oil on canvas 75x55cm
55094  
Joseph Mallord William Turner, Abstract
 
 Abstract   mk239 1913 Oil on canvas
55098  
Joseph Mallord William Turner, Abstract
 
 Abstract   mk239 1914 Oil on canvas
55196  
Joseph Mallord William Turner, Accompany
 
 Accompany   mk239 1937 Oil on canvas 114x146cm
54870  
Joseph Mallord William Turner, Across the river
 
 Across the river   mk238 1815 Oil on canvas 193x165cm
55025  
Joseph Mallord William Turner, Africa
 
 Africa   mk239 107x95.5cm
70120  
Joseph Mallord William Turner, Ancient Italy
 
 Ancient Italy   Description Turner Ovid Banished from Rome.jpg Ancient Italy - Ovid Banished from Rome
54965  
Joseph Mallord William Turner, Angel
 
 Angel   mk238 1746 Oil on canvas 78.5x78.5cm
3240  
Joseph Mallord William Turner, Angel Standing in a Storm
 
 Angel Standing in a Storm   1846 Tate Gallery, London
55050  
Joseph Mallord William Turner, Angel-s judge
 
 Angel-s judge   mk239 1911 Oil on canvas 85x74cm
55056  
Joseph Mallord William Turner, Anniversary of Saint
 
 Anniversary of Saint   mk239 1911 Oil on canvas 50x64.5cm
55057  
Joseph Mallord William Turner, Anniversary of Saint
 
 Anniversary of Saint   mk239 1911 34.5x40.5cm
88174  
Joseph Mallord William Turner, Ansicht von Orvieto
 
 Ansicht von Orvieto   1828-1829 Medium Oil on canvas Dimensions 91,5 x 123 cm cjr
31832  
Joseph Mallord William Turner, Antwerp van goyen looking our for a subject
 
 Antwerp van goyen looking our for a subject   mk76 Painted in 1833 Oil on canvas 36 1/8x48 3/8in
3236  
Joseph Mallord William Turner, Approach to Venice
 
 Approach to Venice   1843 24 1/2" x 37" National Gallery of Art, Washington DC
55168  
Joseph Mallord William Turner, Arc-s spot
 
 Arc-s spot   mk239 1927 Oil on canvas 66x49cm
55220  
Joseph Mallord William Turner, Arrow
 
 Arrow   mk239 1943 Oil on canvas 42x57cm
55033  
Joseph Mallord William Turner, Artist 198
 
 Artist 198   mk239 1914 oil on canvas 16.5x92.1cm
55162  
Joseph Mallord William Turner, Ase
 
 Ase   mk239 1926 Oil on canvas 45x53cm
55217  
Joseph Mallord William Turner, Assemble
 
 Assemble   mk239 1940 Oil painting 81x116cm
54868  
Joseph Mallord William Turner, Augur
 
 Augur   mk238 1814-1815 Oil on canvas 72x97cm
55046  
Joseph Mallord William Turner, Autumn-s tree
 
 Autumn-s tree   mk239 1910 Oil on canvas 32.8x44.1cm
21773  
Joseph Mallord William Turner, Avalanche in the Grisons (mk10)
 
 Avalanche in the Grisons (mk10)   1810 Oil on canvas 90 x 120 cm London,Tate Gallery
54927  
Joseph Mallord William Turner, Azrael
 
 Azrael   mk238 1825-1830 Oil on canvas 59.7x75.6cm
55209  
Joseph Mallord William Turner, Balance
 
 Balance   mk239 1942 89x116cm
54864  
Joseph Mallord William Turner, Bay
 
 Bay   mk238 1813 Oil on canvas 24.5x30.5cm
54954  
Joseph Mallord William Turner, Bay scene
 
 Bay scene   mk238 1840-1845 30.5x47.5cm
54889  
Joseph Mallord William Turner, Beside the Nusikao
 
 Beside the Nusikao   mk238 1827 Oil on canvas 43.7x61.3cm
55104  
Joseph Mallord William Turner, Bird
 
 Bird   mk239 1916 Watercolour 34.2x34.2cm
55079  
Joseph Mallord William Turner, Black arc
 
 Black arc   mk239 Oil on canvas 1912 188x196cm
55133  
Joseph Mallord William Turner, Black block
 
 Black block   mk239 1923 Oil on canvas 97.5x93cm
55140  
Joseph Mallord William Turner, Black Circle
 
 Black Circle   mk239 1923 130x130cm Oil on canvas
55120  
Joseph Mallord William Turner, Black line
 
 Black line   mk239 1913 130x131.5cm
55193  
Joseph Mallord William Turner, Black spot
 
 Black spot   mk239 1935 116x89cm
55176  
Joseph Mallord William Turner, Blue vapor
 
 Blue vapor   mk239 1928 30x18cm
54926  
Joseph Mallord William Turner, Boat
 
 Boat   mk238 1831 Oil on canvas 91.4x122cm
54938  
Joseph Mallord William Turner, Boat
 
 Boat   mk238 1830-1835 Oil on canvas 92.1x122.6cm
54843  
Joseph Mallord William Turner, Boat and war
 
 Boat and war   mk238 1804 Oil on canvas 101.5x130.5cmn
54877  
Joseph Mallord William Turner, Boat in the breezee
 
 Boat in the breezee   mk238 1806-1807 Watercolour 18.4x26.2cm
24466  
Joseph Mallord William Turner, Bolton Abbey,Yorkshire (mk31)
 
 Bolton Abbey,Yorkshire (mk31)   1809 Watercolour 27.8x39.5cm
54905  
Joseph Mallord William Turner, Bolu
 
 Bolu   mk238 1826 Watercolour 28x40cm
84268  
Joseph Mallord William Turner, Boston in Lincolnshire
 
 Boston in Lincolnshire   Date c.1833 Medium Oil on canvas Dimensions 28.8 x 42.3 cm (11.3 x 16.7 in) cjr
88154  
Joseph Mallord William Turner, Boston in Lincolnshire
 
 Boston in Lincolnshire   1833 Medium Oil on canvas Dimensions 28.8 x 42.3 cm (11.3 x 16.7 in) cyf
54840  
Joseph Mallord William Turner, Bridge
 
 Bridge   mk238 1803-1804 Oil on canvas 76.8x62.8cm
54859  
Joseph Mallord William Turner, Bridge
 
 Bridge   mk238 1810 Oil on canvas 91.5x122cm
54863  
Joseph Mallord William Turner, Bridge
 
 Bridge   mk238 1817 Watercolour 19.9x31.1cm
54874  
Joseph Mallord William Turner, Bridge
 
 Bridge   mk238 1806-1807 Watercolour 18.1x25.8cm
54958  
Joseph Mallord William Turner, Bridge
 
 Bridge   mk238 1840-1845 Oil on canvas 86.3x117.5cm
24484  
Joseph Mallord William Turner, Bridge of Sighs,Ducal Palace and Custom-house (mk31)
 
 Bridge of Sighs,Ducal Palace and Custom-house (mk31)   Venice,Canaletto painting 1833 Oil on mahogany 51x82.5cm
55146  
Joseph Mallord William Turner, Bright
 
 Bright   mk239 1924 Watercolour
55142  
Joseph Mallord William Turner, Brown
 
 Brown   mk239 1924 Watercolour 48.5x33.3cm
55147  
Joseph Mallord William Turner, Brown
 
 Brown   mk239 1924 Oil on canvas 83.1x72.7cm
30694  
Joseph Mallord William Turner, Burning of the Houses
 
 Burning of the Houses   mk68 Oil on canvas Philadelphia,Philadelphia Museum of Art 1835 Britain
54981  
Joseph Mallord William Turner, Bury
 
 Bury   mk238 1841 Watercolour
78812  
Joseph Mallord William Turner, Buttermere Lake
 
 Buttermere Lake   Buttermere Lake, with Park of Cromackwater, Cumberland, a Shower (painting - oil on canvas) Date circa 1797-1798 cjr
81891  
Joseph Mallord William Turner, Buttermere Lake
 
 Buttermere Lake   circa 1797-1798 cyf
3209  
Joseph Mallord William Turner, Buttermere Lake : A Shower
 
 Buttermere Lake : A Shower   1798 Tate Gallery, London
91561  
Joseph Mallord William Turner, Buttermere-See mit Teilansicht von Cromackwater
 
 Buttermere-See mit Teilansicht von Cromackwater   1798(1798) Medium oil on canvas Dimensions 91,5 x 122 cm cyf
24478  
Joseph Mallord William Turner, Caernarvon Castle,Wales (mk31)
 
 Caernarvon Castle,Wales (mk31)   1833-1834 Watercolour 29x44cm
61220  
Joseph Mallord William Turner, Calais Pier
 
 Calais Pier   J.M.W. Turner, Calais Pier
24460  
Joseph Mallord William Turner, Calais Pier,with French poissards preparing for sea:an English packet arriving (detail) (mk31)
 
 Calais Pier,with French poissards preparing for sea:an English packet arriving (detail) (mk31)   1803 Oil on canvas 172x240cm
24482  
Joseph Mallord William Turner, Calais sands,low water (mk31)
 
 Calais sands,low water (mk31)   1830 Oil on canvas 73x107cm
54950  
Joseph Mallord William Turner, Calmness
 
 Calmness   mk238 1842 Oil on canvas 87x86.7cm
54974  
Joseph Mallord William Turner, Canal
 
 Canal   mk238 1840 Watercolour 22.1x31.8cm
54979  
Joseph Mallord William Turner, Canal
 
 Canal   mk238 1840 Watercolour 22.1x32.4cm
87210  
Joseph Mallord William Turner, Canal Grande in Venedig
 
 Canal Grande in Venedig   Date 1835(1835) Medium Oil on canvas Dimensions 90 x 120,3 cm cjr
91974  
Joseph Mallord William Turner, Canal Grande in Venedig
 
 Canal Grande in Venedig   1835(1835) Medium oil on canvas Dimensions 90 X 120,3 cm cyf
54829  
Joseph Mallord William Turner, Castle
 
 Castle   mk238 1798 Oil on canvas 47x69cm
54832  
Joseph Mallord William Turner, Castle
 
 Castle   mk238 1799 Watercolour 55x77cm
54833  
Joseph Mallord William Turner, Castle
 
 Castle   mk238 1799 watercolour 55.5x76.2cm
54839  
Joseph Mallord William Turner, Castle
 
 Castle   mk238 1803 Oil o ncanvas 103.5x139.7cm
54909  
Joseph Mallord William Turner, Castle
 
 Castle   mk238 1825-1830 Watercolour
54912  
Joseph Mallord William Turner, Castle
 
 Castle   mk238 1829 Watercolour 29.8x42.6cm
87196  
Joseph Mallord William Turner, Castle von Kilgarran am Twyvey
 
 Castle von Kilgarran am Twyvey   Date 1799(1799) Medium Oil on canvas Dimensions 92 x 122 cm cjr
91964  
Joseph Mallord William Turner, Castle von Kilgarran am Twyvey
 
 Castle von Kilgarran am Twyvey   1799(1799) Medium oil on canvas Dimensions 92 X 122 cm cyf
54929  
Joseph Mallord William Turner, Cay
 
 Cay   mk238 1832 Watercolour 13.9x19.1cm
55207  
Joseph Mallord William Turner, Centre
 
 Centre   mk239 1939 49x31cm
55148  
Joseph Mallord William Turner, Centre line
 
 Centre line   mk239 1924 Watercolour 34.6x22.9cm
55020  
Joseph Mallord William Turner, Centre market
 
 Centre market   mk239 1908 Oil on canvas 33x41cm
55179  
Joseph Mallord William Turner, Change green
 
 Change green   mk239 1928 49.8x24.7cm
54819  
Joseph Mallord William Turner, Channel
 
 Channel   mk238 1795 Watercolor 30.7x48.3cm
24476  
Joseph Mallord William Turner, Chichester Canal (mk31)
 
 Chichester Canal (mk31)   1828 Oil on canvas 121x90.5cm
61219  
Joseph Mallord William Turner, Chichester Canal vivid colours may have been influenced by the eruption of Mount Tambora in 1815.
 
 Chichester Canal vivid colours may have been influenced by the eruption of Mount Tambora in 1815.   Chichester Canal's vivid colours may have been influenced by the eruption of Mount Tambora in 1815.
54978  
Joseph Mallord William Turner, Church
 
 Church   mk238 1842 Oil on canvas 61.6x92.7cm
55018  
Joseph Mallord William Turner, Church
 
 Church   mk239 1908 Oil on canvas 71x96cm
55158  
Joseph Mallord William Turner, Circle
 
 Circle   mk239 1925 Oil on canvas 61.5x41.5cm
55161  
Joseph Mallord William Turner, Circle
 
 Circle   mk239 1926 140x140cm
55206  
Joseph Mallord William Turner, Circle
 
 Circle   mk239 1939 92x72cm
55182  
Joseph Mallord William Turner, Climb
 
 Climb   mk239 1931 Watercolour 48.1x61cm
55181  
Joseph Mallord William Turner, Close
 
 Close   mk239 1930 Oil on canvas 49.2x36.8cm
55089  
Joseph Mallord William Turner, cloudburst
 
 cloudburst   mk239 1913 Oil on canvas 111x111cm
54925  
Joseph Mallord William Turner, Cockpit
 
 Cockpit   mk238 1831 Oil on canvas 91.4x122cm
24481  
Joseph Mallord William Turner, Cologne,the arrival lf a pachet boat;evening (mk31)
 
 Cologne,the arrival lf a pachet boat;evening (mk31)   1826 Oil and maybe watercolour on canvas 168.6x224.1cm
31834  
Joseph Mallord William Turner, Cologne:The arrival of a packet-boat:evening
 
 Cologne:The arrival of a packet-boat:evening   mk76 Painted in 1826 Oil and possibly watercolor on canvas 66 3/8x88 1/4in
54890  
Joseph Mallord William Turner, Concert
 
 Concert   mk238 1835 Oil on canvas 121x90.6cm
24486  
Joseph Mallord William Turner, Constance (mk31)
 
 Constance (mk31)   Watercolour 30.4x45.4cm

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Joseph Mallord William Turner
English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.



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